見山，不急：移動紀事—邱建銘創作個展

《見山，不急：移動紀事》是一場關於風景與心象的旅程。從「著相」到「解相」，以行跡與觀看的轉化，構築出一種介於現實與心靈之間的「心象地誌」。移動的視角與軌跡如時間的痕跡，最終以「附錄式回望」的姿態被召回，成為記憶中不斷生成的原點。

展題取意自禪語「見山是山，見山不是山，見山還是山」，象徵觀看歷程中對現象、幻境與實相的體悟。所謂「不急」，是一種時間的態度——不追求抵達，而在移動與暫留之間，以緩慢的節奏凝視風景，體驗觀看的深度。

「場所精神」（Genius Loci）作為展覽的哲學支點，回應加斯東・巴舍拉在《空間的詩學》中所言：空間既是居所，也是心靈的棲息地。邱建銘以城市、山景與建築符號為媒介，轉化為心靈地誌的圖像層疊，呈現記憶、時間與存在的詩性結構。

在這趟不急於抵達的旅程中，風景化為心象的回聲，而「見山」的瞬間，亦成為觀看者與世界之間最溫柔的呼吸。

Seeing the Mountain, Slowly is a journey through landscape and mindscape. From appearance to dissolution, Chiu traces his movements and perceptions to construct an “imaginal geography” suspended between reality and inner vision. The shifting perspectives become temporal traces—an appendix-like return to the original point of memory.

The title derives from the Zen phrase “See the mountain as mountain, not mountain, yet mountain again,” reflecting the artist’s layered understanding of phenomenon, illusion, and reality. “Not in haste” suggests a temporal attitude: resisting arrival, dwelling instead within the rhythm between motion and pause, allowing vision to unfold in slowness.

Rooted in the notion of Genius Loci, the spirit of place, and echoing Gaston Bachelard’s Poetics of Space, Chiu transforms cities, mountains, and architectural symbols into layered mindscapes—where memory, time, and existence converge.

In this unhurried journey, landscape becomes an echo of the mind, and the moment of “seeing the mountain” turns into the most tender breath shared between self and world.